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Report On The History Of Rock And Roll Essay, Research Paper

Book Report: The Art of Rock and Roll

The book ?The Art of Rock and Roll? by Charles T. Brown basically proposes

methods for analyzing music and anyone who reads the books should be able to develop

techniques for listening to music and making legitimate statements about it. It treats rock

and roll as a serious art form and traces it cultural roots throughout the book.

Chapter one discusses the elements of rock and makes four assumptions.

Assumption one states that rock is a legitimate art form. An art form is defined as a

creative act that springs from the artist?s experience as it reflects or reacts against society.

It then states that acculturation, a process by which a certain people are influenced by a

foreign culture, changed the Afro-Americans from their original culture to one that was a

mixture of U.S. influences and African roots which played a large part in the way rock and

roll sounds today. Brown proves rock is a legitimate art form by talking about its

audience and its lasting power.

Assumption two states that rocks roots are in folk, jazz, and pop music.

Musicians who first started rock and roll must have had something to base their music on

which turned out to be primarily folk, jazz, and pop. They simple changed the pattern and

style of that music and started forming rock.

Assumption three states that it is just as valid to study rock and roll as European

classical music. Rock will prove to be a valid means of producing competent musicians

and that it demands the same type of performance as in any musical form. Since it is a

valid way in which to study music in general it is just as valid to start with rock as starting

anywhere else.

Assumption four states that simple musical analysis of selected compositions is a

primary tool for understanding musical evolution. Through musical analysis we are able to

generalize and say that rock from a certain era has common characteristics. By doing this

we are able to see what influences lead rock to where it is today.

The chapter then goes on to discuss the elements of music which are nonverbal

communication, melody, rhythm, harmony, lyrics, and performance. Music is nonverbal in

that it communicates through organized sound and is difficult to translate, the other

elements are what make the sound organized and meaningful. Melody is an organized set

of notes consisting of different pitches. It is basically the up and down motion of the lead

singer. Rhythm is those beat of patterns that underlie most forms of communications. It

is made up of pulsations that follow a consistent pattern. It will sometimes show us the

emotional feel of a song. Harmony is the simultaneous sounding of two or more notes at

the same time. It provides a texture for the total song. Lyrics are the words used in the

song and usually tell us what the song and mood of the song is about. Performance tells

us the purpose, function, and impact of a certain song.

Music generally reflects the value of society. By using the elements of music you

can begin to make assumptions about how rock and roll reflects its society. It quickly

took on an attitude of rebellion and eventually became a symbol of independence for


Chapter two discusses the listening skill needed to better understand music.

Through listening we can define the social impact of a rock group and its musical style.

This purpose of this chapter is to outline ways in which the individual can create his or her

own system of analysis. The chapter then goes on describing what you need to do while

listening to music to better analyze it. First you need concentration, you need to change

your attitude towards the music you hear everyday and block out any interference, we

must treat it seriously and analyze it fairly even if we we don?t like it. Then you need to

dissect what your hearing. You have to decide what to use for a reference point and listen

to the song more than once. Your first time listening to it you should get a general idea of

what the song is like, what its about, and what it has. After that you add more information

by listening to each part of the music individually. Lyrics are the easiest to analyze. You

must write all the lyrics down and figure out if there is a verse structure.

The chapter then goes into the different types of Melody. First there is the

Soprano- lead melody. The lead melody is sometimes called the soprano melody which

means the highest melody. Then there is the bass melody, which is normally played by an

instrument rather then sung. It is halfway between melody and rhythm, or beat. It is

usually low sounding, repetitive and continuos. It is the foundation for the instrumental

ensemble. Instruments are another part of melody. It is the instruments that give rock

and roll its character and beat. The drums provide the beat, the guitars provide continous

rhythm, and the bass guitar plays the bass melody. When analyzing you must also

recognize the Rhythm and Harmony. They both determine the complexity of the

composition and we must become aware of changes in rhythm or harmony because they

indicate changes in the song.

Chapter three discusses the sources of Rock. Slave music was important because

when they were brought to the United states they also brought with them their music

which was blues and later on early jazz. Acculturation began as soon as their were

American-born slaves. They would sing work songs which were basically chants which

later on formed to become blues. As blues developed so did early forms of Jazz. One of

these forms was the cakewalk was the cakewalk which was a danced step used to make

fun of how stiff the white man walked and later on became the first truly Afro-American

dance step. Another form was Ragtime which was a piano style which has four main

themes. Then came along other piano styles such as stride, dixieland, and the

boogie-woogie which was the first obvious influence for rock and roll.

In the 1930?s blues took on a different character because of changes in society,

black musicians developed big bands and blues singers continued to have great

importance which eventually fostered rhythm and blues. Rock and roll started to develop

in the last part of the 1930?s mainly because of the start of the removal of the color line

between musicians.

Chapter four discusses early rock. They started to somewhat define the rock

category by saying that rock uses certain rhythmic devices, its lyrics and jargon came from

the jump blues, rhythm and blues, country, or some combination, many pieces use a blues

progression, and the basic style of performance is continuos shouting by the singer and

continuos playing by the instrumentalists. There were different types of songs that started

to show the development of rock. Shouting, songs in which lyrics were shouted over the

band background, was a predominant style of early rock and the foundation for the careers

of famous rock musicians. Ballad singing is also an important part of early rock and roll,

it is a big band tune from rhythm and blues tradition. Then there was novelties , which

were a third kind of rock song. It was a song with some gimmick that makes it catchy.

During the 1950?s most Americans felt secure, we started to see ourselves as a

world power. We were involved in the cold war and blacks had started their movements.

Because of the cultural situation rock and roll became a focal point for rebellion. The

marketing techniques were very primitive, but started to turn rock and roll into a

multimillion dollar business.

Chapter five discusses Bill Haley and the Comets and how they set a model for

rock and roll. There is not much to be said about this chapter because Haley wasn?t a

great musician and others would come after him and do a better job at music then he did,

but he was essentially one of the first groups to use the elements of music just right to be

labeled a rock and roll musician.

Chapter six talks about a person who was far more important in giving rock and

roll its lasting power then Bill Haley and that person was Elvis Presley. Presley had

Musical and personal qualities that far surpassed Haley. Presley opened up markets for

other musicians and served as a symbol for the development of marketing techniques. He

influenced a tremendous number of musicians.

There were other musicians who came from Memphis and were labeled the

Memphis Mafia. They produced a more marketable combination of records using ballads

and novelties. Country was also influenced by this wave of new rock musicians and

created the Nashville sound. Some rockabilly musicians include Johnny Cash, who was

more influential in folk music as he developed his style, Buddy Holly, who could have

contributed to rock just as much as Presley did if he had lived longer, Jerry Lee Lewis,

who was one of the first rock and roll piano players, and Carl Perkins.

Chapter seven talks about the broadening of the music style and the performers

who came out of this period. During this time, 1950?s, rock had become legitimized as a

category all on its own. By this time there were four different types of rock and roll:

Rhythm and Blues/shouting, crooning, specialty songs, and novelty/monster songs. Free

acculturation also came into play around this time. Ray Charles is the musician who

legitimized this position.

Urbanization of rock and roll from rural to urban blues led to the circumstances in

which rock and roll could be marketed. Rock and Roll began as a rough form of music.

became urban blues form, and then eventually took in other forms in order to expand its

market. Ballads became significant in the 1950?s because they expanded the listening

audience and in turn gained acceptance by the public. The first ballads predate the

invention of the term rock an roll.

Chapter eight focuses on soul/mowtown music. This music had great influence

around the 1960?s which were times of tumult and confusion. Rock music had new

messages and new means to communicate. Rock around this time relied heavily on the

rhythm section because the style was vocally dominated. Also around this time Memphis

played a more important part because it became a center for studio recording. Because of

the popularity of gospel and soul along with rhythm and blues, billboard combined the

categories into one called soul. Mowtown was formed by doowop groups and did fairly

well. Sixty-seven percent of the singles that came out of mowtown music hit the top of

the charts.

Chapter nine talks about one of the greatest influences on Rock and Roll which

were the Beatles. Their musical style is defined in three periods which are early beatle,

1962-1964, middle beatles,1965-1966, and late beatles 1967-1969. The early beatles had

the following characteristics: Simple lyrics, Simple background accompaniment, Rock

sound from the 1950?s, Simple drumbeat and rhythmic patters, Simple bass lines, and

domination by lead singer or unison singing. In their early era they just sang songs for that

had little or no meaning and did not have any relationship with each other. The rhythmic

patterns were simple with little riff orientation. The Middle beatles had different style of

singing which can be characterized as poetically more complex lyrics, Symbolic lyrics,

More creative music, Universal point of view, sometimes critical words, growing

dissension among group members, more guitar oriented and less percussive, folklike, more

complicated guitar sounds and electronics, more subjects in musical lyrics, and better

background accompaniment. The beatles came into their own during this period. The

technical era was more complex. The albums began to show some continuity and there

was logic in which the way the songs were placed. The late beatles music can be

characterized by electronic music, studio music, technically precise music, mystical

allusions, and total communication. The music during this time was both diverse and

homogenous. They were able to make each song and each album tie into each other

successfully. The musical style was interwoven with the message of the singing.

Chapter ten talks about California and what it gave to rock and roll. California

was seen as a kind of utopia around the 1960?s so people wanted to go there, especially

southern California. They were really into surfing music, which created such groups as

The Beach Boys, and some were more into nonsurfing groups, which were such groups as

The Doors. Both of these major groups came out of California around this time. In

northern California, cities such as San Francisco developed themselves as the center of

movement, and musically, folk music turned into a particular kind of rock. The sound that

it turned into can be defined as acid rock or psychedelic rock, which means that it is

associated with LSD, or acid. It became associated with very loud music and use of

electronic amplification. This new development was important to rock because it united

rocks identification with rebellion, something it had lost for a while.

Chapter eleven discusses Folk-rock and how it came about. Folk music is usually

defined as the music of the people, it usually expresses the feelings of one particular area

or group. It has many different aspects. Rock, jazz, country, and other musical textures

were added experimentally, leading to fusion. Bob Dylan is a musician who played great

folk music, he is responsible for raising the sophistication level of the lyrics. Around this

time, 1970?s, it gets harder to generalize about attitudes. This shift in attitudes was

partially caused by the technological explosion. Communications systems became much

more sophisticated, and information was available instantly.

From here on the book goes on to discuss the different forms of rock that came

about. Chapter twelve focuses towards English Rock. English rock has a distinctive

sound for several reasons: Depending on their upbringing, the musicians sing with a

distinctive accent; There is a slight influence of skiffle in the beginning stages of music

from the 1960?s; The technology of the amplified sound is different in that the amplifiers

are set to amplify the harmonic spectrum differently; Musical symbolism tends to be

different and draws from the literary tradition of Europe; The blending of voices tends to

be less emotional. Three groups who popularized English rock in America after the

Beatles were The Rolling Stones, The Who, and Elton John. They capitalized on the

attitudes of the times which were sometimes tasteless and antiestablishment. The Rolling

Stones and The Who eventually have an impact on punk and new wave. Elton John

proves the lasting impact of a pianist and a vocalist.

Chapter thirteen goes onto art and eclectic rock. Art rock is a term that defines

music that either has higher pretentions than standard rock or imitates another style that

has been recognized as art. Eclectic rock is a term applied to anything considered to be

unusual. The chapter presents a mixture of styles tied together by the experimental quality

of the music All of it was generally a fusion of rock and roll with western or nonwestern

art music. Some musicians that represent this period are The Kinks, Frank Zappa, and

Rush just to name a few.

Chapter fourteen moves on to Country rock. It is analogous to rock music after

the middle Beatles period in that it uses elements of different kinds of music. Country

rock is a combination of pop, folk, jazz, rock, and country music. Country rock has a a

few distinct elements. A band normally uses heavy amplification of the guitar instruments,

the lyrics are most uncharacteristic of straight country music, and the musicians look

different from traditional country musicians. One of the most important characteristics of

country rock was the emergence of the songwriter as the narrator and the expression of

southern pride. Some bands that represent country rock are Alabama, Charlie Daniels

Band, the Eagles, the Grateful Dead, and Lynyrd Skynyrd.

Chapter fifteen moves onto Jazz-rock, funk, and disco. Because there were many

attitudes at the same time in the 1970?s, the idea of art forms merging into something

called fusion makes sense. The fusion music of the 70?s has had an enormous commercial

impact, and all three types of music were financially successful. All three movements have

strong jazz roots. Jazz-rock had some significance, it had some very competent musicians

and began to make contributions to the rock technique, rock became more complicated as

a result, the commercial value of rock was made broader, many electronic devices became

commonplace in both jazz and rock, and jazz influences began to further legitimize rock as

a serious form of communication. Funk is a way of defining the music as having various

sexual and social meanings. Funk evolved from soul and became a way of life within the

black community. Funk can be aggressive and its musical structure combines both

softness and harshness. Disco was important because it provided a central focus for the

return of dancing. It is simply good-time music that is optimistic and without social


Chapter sixteen talks about the emergence of heavy metal. Heavy Metal is

commonly described as being loud music. The elements of heavy metal consist of heavy

use of electronic devices, high volume, a thick cluttered sound where all musical elements

combine to establish the sense of power, and a sound mix where the vocals are buried

within the texture. Classical metal was a period in which there was a definitive split

between British and American styles occurred and it was at this time that heavy metal

became a separate style of rock and roll. Mainstream metal is a style that is fully

developed, evolves into equal strength in all instruments and vocal aspects of the band

unit, and settles into a very acceptable level of musical competence. Heavy metal became

more mainstream in the 1980?s. The terms Thrash/Speed/Death came later on in the

heavy metal period. Thrash was heavy metal instrumental style with neo-punk lyrics.

Speed metal is the evolution of mainstream American heavy metal, incorporating long

melodic phrases and fast tempos. Death metal is a particular style which is defined by its

lyrics with words like death, hell, blood, etc.

Chapter seventeen moves onto punk, new wave, and alternative music. Punk is a

term applied to a child or teenager who acts in a antisocial way. Punk was a form of

rebellion, it turned against all other musical forms of the 1970?s. It is considered the third

rock evolution following the formation of rock and roll and the Beatles. The music was as

much cultural as it was musical. It was anarchic, against society, and against everything in

the established order. New wave refers to new music, sometimes meaning contemporary

music. New wave was generally the philosophy of life that manifested itself in certain

kinds of music. Alternative music is music that represents another option to what is

already commercially viable or has been classified. Alternative groups have a short term

following because they either become more mainstream or get other jobs. It has little

lasting impact on rock and roll, but occasionally will have real impact.

Chapter eighteen is the final chapter and discusses Techno-funk/pop, Rap, MTV,

Dance music, and the future. Techno-funk was the standard way of defining what was

happening. The technology of the time created the means to market rock which was

through videotapes. Techno-funk/pop was more dominant in 1985 than any other time.

Rap is a form of music that features a strong rhythm section, with the slap bass so

important to funk, soul, and reggae. The rapper tells his message in a punctuated style.

Other aspects of rap that are important are the scratching style, dance steps, mouth beat

box, and breaking. Pop rock was generally called dance music. In terms of attitude it

represents a growing commercial period in rock. MTV had an impact on the relative

success of the various kinds of music as well as the buying habits of younger viewers.

Charle T. Brown concludes the book by stating the basic premises he established

throughout the book which are the following:

1.Rock is a legitimate are form, with its own technique and its own complexity.

2.Like any art form, it has its highs and lows.

3.We can trace cycles in rock, which seem to correlate with social views.

4.Rock has had a major influence on society and other art forms.

5.Although it began as a way for youth to rebel against their parents, rock in now a

universal art form and a means of communication, spanning the gamut of generations all

over the world.

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